Boast in the Shell: Why AI Art is Overhyped
OnIn this episode, Wendy Xu joins us once again to talk about AI art, AI writing, and the rise of the machines.
Tag: writing
Poster’s Elbow
OnFor writers, social media can be a valuable tool for networking and self-promotion. But can the drawbacks outweigh the positives?
How We Read and Why
OnWhat’s the point of reading when there are other ways of getting information? Does reading make you a better person? And why are so many Americans so bad at it? Joining us today is Chrisbookishcauldron, book critic and YouTuber.
How We Read and Why – Transcript
OnWhat’s the point of reading when there are other ways of getting information? Transcript of our latest episode.
No Plot Just Vibes
OnIn this episode of Rite Gud, we are joined once again by Karlo Yeager Rodríguez, who is going to tell us why plot isn’t everything.
Tales From the Slush Pile
OnWhen you send a short story to a magazine, it probably doesn’t go directly to the editor. Instead, it ends up in what’s called the slush pile–the pool of unsolicited work waiting for review. Who reviews it? Weirdos like us.
A Rite Gud Minifesto
OnThe changing of the guard in the early 2000s and the euthanization of the reactionary Sad Puppy movement in the early 2010s should have ushered in a new era of speculative fiction, an era of creative freedom and experimentation.
More than the Sum of its Parts: Writing Beyond Tropes and Easter Eggs
On“Here’s my new novel, A Groan of Stone and Bone. It has enemies to lovers, a chaotic bisexual, BIPOC representation, elemental magic, and tons of ‘Buffy’ references!”
John Langan on Cosmic Horror
OnBram Stoker Award-winning author John Langan joins us to talk about cosmic horror, his novel The Fisherman, upstate New York, how much money writers make (none), and how hard it is to get published when you’re a little too literary for the genre crowd but a little too genre for the literary crowd.
This Is My Hole, It Was Made for Me: On Negative Space and Leaving Room for the Reader
OnA story is a type of conversation with the reader. If you don’t leave room for the reader to speak, you’re a terrible conversationalist.