Traumstadt 1

LPD vocalist Edward Ka-Spel on the piano and N...
LPD vocalist Edward Ka-Spel on the piano and Niels van Hoorn at an 14 October 2007 show at the Stubnitz boat in Amsterdam (Photo credit: Wikipedia)

Edward Ka-Spel’s brilliance with The Legendary Pink Dots is to introduce us to isolated characters and then immerse us in their world-view through expansive and mysterious soundscapes. He begins with the most restricted, infinitesimal point of consciousness and then slowly expands it outward towards a state of ‘cosmic consciousness’ (to use the phrase of 1960s psychonauts). Musically, he often follows this template of expansion, with simple melody lines repeating and layering in increased complexity of texture. Much of the LPD’s music is an undertaking to help the listener (and perhaps composer) escape his/her own head. Lyrical phrases, musical motifs, album titles and themes recur across decades, but tonal shifts between albums are slow and subtle.  Hopefully, The Legendary Dots Project, like the Residents and Sparks projects before, will provide the keen reader and listener with a giddy entry-point into the Legendary Pink Dots’ musical world. Fulfil the prophecy! Continue reading

Any Day Now

LPD vocalist Edward Ka-Spel on the piano and N...
LPD vocalist Edward Ka-Spel on the piano and Niels van Hoorn at an 14 October 2007 show at the Stubnitz boat in Amsterdam (Photo credit: Wikipedia)

Edward Ka-Spel’s brilliance with The Legendary Pink Dots is to introduce us to isolated characters and then immerse us in their world-view through expansive and mysterious soundscapes. He begins with the most restricted, infinitesimal point of consciousness and then slowly expands it outward towards a state of ‘cosmic consciousness’ (to use the phrase of 1960s psychonauts). Musically, he often follows this template of expansion, with simple melody lines repeating and layering in increased complexity of texture. Much of the LPD’s music is an undertaking to help the listener (and perhaps composer) escape his/her own head. Lyrical phrases, musical motifs, album titles and themes recur across decades, but tonal shifts between albums are slow and subtle.  Hopefully, The Legendary Dots Project, like the Residents and Sparks projects before, will provide the keen reader and listener with a giddy entry-point into the Legendary Pink Dots’ musical world. Fulfil the prophecy! Continue reading

Island of Jewels

LPD vocalist Edward Ka-Spel on the piano and N...
LPD vocalist Edward Ka-Spel on the piano and Niels van Hoorn at an 14 October 2007 show at the Stubnitz boat in Amsterdam (Photo credit: Wikipedia)

Edward Ka-Spel’s brilliance with The Legendary Pink Dots is to introduce us to isolated characters and then immerse us in their world-view through expansive and mysterious soundscapes. He begins with the most restricted, infinitesimal point of consciousness and then slowly expands it outward towards a state of ‘cosmic consciousness’ (to use the phrase of 1960s psychonauts). Musically, he often follows this template of expansion, with simple melody lines repeating and layering in increased complexity of texture. Much of the LPD’s music is an undertaking to help the listener (and perhaps composer) escape his/her own head. Lyrical phrases, musical motifs, album titles and themes recur across decades, but tonal shifts between albums are slow and subtle.  Hopefully, The Legendary Dots Project, like the Residents and Sparks projects before, will provide the keen reader and listener with a giddy entry-point into the Legendary Pink Dots’ musical world. Fulfil the prophecy! Continue reading

Prayer For Aradia

Edward Ka-Spel’s brilliance with The Legendary Pink Dots is to introduce us to isolated characters and then immerse us in their world-view through expansive and mysterious soundscapes. He begins with the most restricted, infinitesimal point of consciousness and then slowly expands it outward towards a state of ‘cosmic consciousness’ (to use the phrase of 1960s psychonauts). Musically, he often follows this template of expansion, with simple melody lines repeating and layering in increased complexity of texture. Much of the LPD’s music is an undertaking to help the listener (and perhaps composer) escape his/her own head. Lyrical phrases, musical motifs, album titles and themes recur across decades, but tonal shifts between albums are slow and subtle.  Hopefully, The Legendary Dots Project, like the Residents and Sparks projects before, will provide the keen reader and listener with a giddy entry-point into the Legendary Pink Dots’ musical world. Fulfil the prophecy! Continue reading

Asylum

Edward Ka-Spel’s brilliance with The Legendary Pink Dots is to introduce us to isolated characters and then immerse us in their world-view through expansive and mysterious soundscapes. He begins with the most restricted, infinitesimal point of consciousness and then slowly expands it outward towards a state of ‘cosmic consciousness’ (to use the phrase of 1960s psychonauts). Musically, he often follows this template of expansion, with simple melody lines repeating and layering in increased complexity of texture. Much of the LPD’s music is an undertaking to help the listener (and perhaps composer) escape his/her own head. Lyrical phrases, musical motifs, album titles and themes recur across decades, but tonal shifts between albums are slow and subtle.  Hopefully, The Legendary Dots Project, like the Residents and Sparks projects before, will provide the keen reader and listener with a giddy entry-point into the Legendary Pink Dots’ musical world. Fulfil the prophecy! Continue reading

The Lovers

Edward Ka-Spel’s brilliance with The Legendary Pink Dots is to introduce us to isolated characters and then immerse us in their world-view through expansive and mysterious soundscapes. He begins with the most restricted, infinitesimal point of consciousness and then slowly expands it outward towards a state of ‘cosmic consciousness’ (to use the phrase of 1960s psychonauts). Musically, he often follows this template of expansion, with simple melody lines repeating and layering in increased complexity of texture. Much of the LPD’s music is an undertaking to help the listener (and perhaps composer) escape his/her own head. Lyrical phrases, musical motifs, album titles and themes recur across decades, but tonal shifts between albums are slow and subtle.  Hopefully, The Legendary Dots Project, like the Residents and Sparks projects before, will provide the keen reader and listener with a giddy entry-point into the Legendary Pink Dots’ musical world. Fulfil the prophecy! Continue reading

The Tower

LPD vocalist Edward Ka-Spel on the piano and N...
LPD vocalist Edward Ka-Spel on the piano and Niels van Hoorn at an 14 October 2007 show at the Stubnitz boat in Amsterdam (Photo credit: Wikipedia)

Edward Ka-Spel’s brilliance with The Legendary Pink Dots is to introduce us to isolated characters and then immerse us in their world-view through expansive and mysterious soundscapes. He begins with the most restricted, infinitesimal point of consciousness and then slowly expands it outward towards a state of ‘cosmic consciousness’ (to use the phrase of 1960s psychonauts). Musically, he often follows this template of expansion, with simple melody lines repeating and layering in increased complexity of texture. Much of the LPD’s music is an undertaking to help the listener (and perhaps composer) escape his/her own head. Lyrical phrases, musical motifs, album titles and themes recur across decades, but tonal shifts between albums are slow and subtle.  Hopefully, The Legendary Dots Project, like the Residents and Sparks projects before, will provide the keen reader and listener with a giddy entry-point into the Legendary Pink Dots’ musical world. Fulfil the prophecy! Continue reading

Review: Faces In The Fire

LPD vocalist Edward Ka-Spel on the piano and N...
LPD vocalist Edward Ka-Spel on the piano and Niels van Hoorn at an 14 October 2007 show at the Stubnitz boat in Amsterdam (Photo credit: Wikipedia)

Edward Ka-Spel’s brilliance with The Legendary Pink Dots is to introduce us to isolated characters and then immerse us in their world-view through expansive and mysterious soundscapes. He begins with the most restricted, infinitesimal point of consciousness and then slowly expands it outward towards a state of ‘cosmic consciousness’ (to use the phrase of 1960s psychonauts). Musically, he often follows this template of expansion, with simple melody lines repeating and layering in increased complexity of texture. Much of the LPD’s music is an undertaking to help the listener (and perhaps composer) escape his/her own head. Lyrical phrases, musical motifs, albumtitles and themes recur across decades, but tonal shifts between albums are slow and subtle.  Hopefully, The Legendary Dots Project, like the Residents and Sparks projects before, will provide the keen reader and listener with a giddy entry-point into the Legendary Pink Dots’ musical world. Fulfil the prophecy! Continue reading

On the Impossibility of Being Disabled under Cameron’s Britain

English: Iain Duncan Smith, British politician...
English: Iain Duncan Smith, British politician and former leader of the Conservative Party. (Photo credit: Wikipedia)

It is said that we are living in an Age of Austerity here in Britain 2016, yet let no man say that we are suffering from austerity of the spirit!

It is written in the Book of Matthew that “the last will come first and the first will come last”. Today in Britain our Get-Up-and-Go-vernment insists, with a warm clap upon our collective backs, that the very last amongst us – those laid low and inactive by paralysis; riddled with poor timekeeping skills from schizophrenia; or just stricken lazy with a coma – will be first, both out of bed in the morning and to their merry graves in the evening, with nothing but a job application in their hands and a positive attitude in their hearts. Continue reading

Review: Why?

900px-WhyAs neither a parent nor a little kid, I always feel as if I’m being a little unfair passing judgment on They Might Be Giants’ children’s albums. “How should I know if this is good or not? It’s not made for me! A seven-year-old could have an entirely different perspective than I do!” But as a TMBG superfan, I can’t just let new work by them go by unnoticed, whether I’m in the target audience or not. Continue reading