All Things To All People
Bram Stoker Award-winning author John Langan joins us to talk about cosmic horror, his novel The Fisherman, upstate New York, how much money writers make (none), and how hard it is to get published when you’re a little too literary for the genre crowd but a little too genre for the literary crowd.
A review of ‘Hallway of the Gods’, the most accessible Legendary Pink Dots album of the 1990s. A rare achievement with some real bangers!
We have girlboss Cinderella starting her own business, Snow White leading an army into battle. And why not?
In this episode, we re-examine the saga of the notorious Sad Puppies. What happened? What ripple effects did it have on the sci-fi/fantasy community?
In this episode, Gretchen Felker-Martin joins us to talk about her gritty post-Apocalyptic trans novel Manhunt (spoiler free) and how an idea becomes a traditionally published book.
Are superheroes a modern mythology, or is this a way to flatten the complexities of traditional art while giving commercial media a spiritual significance it does not deserve?
Jack from Bad Books for Bad People joins us to pay tribute to art that isn’t here to teach right from wrong—what some might call degenerate art.
A story is a type of conversation with the reader. If you don’t leave room for the reader to speak, you’re a terrible conversationalist.
Chemical Playschool 8 & 9 is the sort of expansive odyssey we’ve come to expect from these Chemical Playschool releases.
Genre is safe. Genre is comfortable. But do we rely on genre conventions too much? Can genre hold us back? Is genre busting good?