April Fools Day brought the first new music from the brand new alt-rock supergroup, FFS, made up of the members of Franz Ferdinand and Sparks! (If you’re following the new Unicorn Booty Tumblr admin’d by yours truly, you got a sneak peek yesterday morning.)
As confusing as it might sound, it sounds… exactly like what you’d expect from combining the two acts… the piano and operatic vocals from Sparks, and the angular guitars and jittery energy of Franz Ferdinand. Sure, on paper the only thing the bands have in common is putting out some of the best records of the past 40 years (Sure, 30 of those 40 years are held up by Sparks, but if you didn’t like Franz Ferdinand’s Tonight, you’re just wacky) — but “Piss Off” works perfectly. Continue reading →
It was only the last thirty-five seconds, but after four barren years that was enough. She sat there in her banged-up car, and as his familiar voice wrapped itself around her she felt like he was her Jimmy Stewart, wrapping her, wet and shivering, in a blanket after finding her in the San Francisco Bay. She hadn’t realized how tense and nervous she had been until the blank, blissful calm she felt upon listening to him again had enveloped her. Her mind was a shaken Etch-A-Sketch, ready for him to mark out the boundaries of again. Continue reading →
My best friend Peter and I have radically different tastes. I tend to listen to music that is skittish and unresolved. I like choppy melodies, disorienting time signature changes and often, when I’m feeling boisterous, a lively skank beat. Peter, contrariwise, loves slow, immersive ambient soundscapes, with deep, vibratory drones and hidden, slowly-emergent intricacies. The music I like, you have to speed up to listen to. The music Peter likes, you have to slow down. We’re both deeply anxious people and while I like my music to mirror and reflect my inner-state of anxiety, Peter likes his music to reflect the outer-state of the world, in order to better harmonise his inner-state. Continue reading →
HEY PEOPLE! Are you in a band? Are you in a band that doesn’t suck? Are you in a band that doesn’t suck that has an album out? (Even if it’s been out for a while?)
If you are so inclined, Kittysneezes (that’s us!!) will run an article from you, walking us through your album! (Think of it as sort of an answer to the problem of the lack o’ liner notes with most digital releases. Or, let’s be serious, even with a lot of CD-era albums.)
We’ll, obviously, link your album — so people who are interested can go check it out! And you can share a handy-dandy link with your fans with stuff they’ll love! I know, right?!
Anyway — if this floats your boat, just get in contact with me, either through our Facebook Page or the Contact link on this very site!
Utility Music is Gyratory System’s third album (out today!), and I feel a bit silly for having not known them until now. It’s a combination of all sorts of things I like — electronica with live instruments in the mix, krautrock influences, and, well, the first track is named “John Frum” after the patron saint of cargo cults! In fact, if you’re a fan of Krautrock in general, I’d highly recommend this album. It’s not a mere pastiche, but rather an extension of the genre. Continue reading →
Amazon Women From Space is the new EP from H3rwig Maurer’s New World Revolution is a collection of unreleased tracks dating as far back as 2000, right after the demise of the Mankind Liberation Front. Maurer says that the reason they weren’t released before this is that he “never felt fully aligned with the lyrical content, basically kind embarrassed about some of it” — but fan interest drove him to finally release them while he continues work on the upcoming NWR full-length Operation of the Sun. Honestly, he doesn’t have anything to worry about — whether or not he’s a fan of the lyrics, the music is strong — and something that should make everyone excited for the new LP. Continue reading →
For beginners to the decades-spanning career of Sparks, their seminal art-baroque-glam-pop Kimono My House has been often noted as the obvious place to start. Kimono is super pop-y, accessible and has classic stompers such as “Amateur Hour” and “Talent is an Asset”. After you’ve found that you enjoy Kimono and are ready to graduate to higher Mael plains, I would suggest mostly looking to their pre and post-Kimono output, most notably their albums Indiscreet and A Woofer in Tweeter’s Clothing. While Kimono is by far their most accessible album, there are albums and songs that truly illuminate what makes them so darn special in rock music history. The Mael brothers’ output is notable for their acerbic, witty lyrics and clever songwriting. The following songs are some of their most wild and unusual and highlight why they are (often) great. Continue reading →
I talk to a good number of people who are into indie* music, and am always thrilled to find others who are fans of the more obscure bands I enjoy. There is one band, however, that I find to be less well-known than any other: The Nelories**. Continue reading →
So, we’re stealin’ the idea from the Sparks Project and doing one with probably even more records out there — The Residents! And this time we’re changing it up a little bit — we’ve got two hardcore Residents fans in me and Rich, but Aila is, at best, a casual fan, who will be hearing about 99% of these records for the first time. DANGEROUS! So, enjoy, THE RESIDENTS PROJECT! Continue reading →
Mr. Gavin is the proprietor of Mr. Gavin’s Meat Farm, a musical project that’s just released its first EP, Episode IV via a pay-what-you-want Bandcamp site. Mr. Gavin’s EP has some really great stuff, including the song from the first video released from it, “The Guerrilla Girls Meet Bob Burns”. He recently took some time to talk with Kittysneezes about his music, upcoming projects (including two future EPs — one of songs based on each of the Hellraiser movies, and one about his own anxiety issues), and Peter Gabriel videos that happened to scare each of us as young children. Continue reading →