What do you get when an experimental installation artist records a rock album? Nothing. 1997’s Nothing is the first album by Martin Creed, and his rock power trio, Owada. It is also the last album by Martin Creed, and his rock power trio, Owada. 1 Everything he’s done since has been under his own name. Creed’s artwork is often extraordinarily simple and minimalist–take, for example, his most well known piece, the Turner Prize winning Work No. 227: the lights going on and off. It consisted of an empty room with lights going on and off. When an artist with this sort of sensibility attacks rock music, one might expect something along the lines of either Phillip Glass minimalism 2, Laurie Anderson’s spoken word stories and treatises, or possibly Terry Riley’s proto-ambient electronic music–only done with rock instrumentation. That is, after all, what we’ve come to expect from “art music,” right?