So, we’re stealin’ the idea from the Sparks Project and doing one with probably even more records out there — The Residents! And this time we’re changing it up a little bit — we’ve got two hardcore Residents fans in me and Rich, but Aila is, at best, a casual fan, who will be hearing about 99% of these records for the first time. DANGEROUS! So, enjoy, THE RESIDENTS PROJECT! Continue reading
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The setting is a ballroom, dark and perhaps sort of dingy — think the rave in Zion from the second Matrix movie, but the difference is that instead of the audience finding it unpleasant, the ravers are the ones having a bad time. They are dancing, but their facial expressions are pained and tortured. Some are crying, some are just grimacing. A few of them have facial bruises. We pan up and find burly men holding guns in the balconies, looking serious and harshly militaristic. The band is on stage, and they are performing the song neither happily or scared — they’ve got a job to do and they’re doing it, nothing more, nothing less. The song itself should be a happy, upbeat, electropoppish type number — ideally nothing lyrically to betray the unpleasant scene.