All Things To All People
SFF author and professional translator Mário Seabra Coelho talks to us about the art of translation. Writing translations, even only as an exercise, can open a writer’s eye to new perspectives, new devices, and new poetic turns of phrase.
Horror writer G. Emerald, who has a background in the medical system, joins us to talk about the healing power of stories that leave us with a bad taste in our mouths.
Sci-fi/fantasy author Karlo Yeager Rodríguez joins us to talk about the relationship between storyteller and in-universe audience.
In this episode, Mistress Snow, PhD joins us to talk about sex work in writing. What do writers get wrong? How do writers promote inaccurate and harmful stereotypes about sex workers? How can writers do better?
Villains in fiction tend to fit a certain template: erudite, aristocratic, queer-coded, monologuing and vaguely British. There’s nothing wrong with that, but it gets a little old after a while.
In this episode, filmmaker Shannon Strucci and critic Leslie Lee of Struggle Session were kind enough to join us to talk about why we need to tell our own stories instead of waiting for someone else to tell it for you.
In this episode, writer and stuntwoman SL Huang joins us to talk about writing that fully explores the physicality of its characters.
Tryst 7 is a relatively obscure split cassette release by the Legendary Pink Dots and Big City Orchestra from 1994—and one with many different versions.
In this episode, we talk to writer/editor Sarena Ulibarri about what it means to be a writer during a global climate crisis. Do writers have a responsibility to address the problem? Are we a part of the problem? Does art matter when the world is on fire?
In this episode, horror writer Gretchen Felker-Martin joins us to talk about the importance of making space for transgressive fiction by queer writers.